Detail Anna and Elynn as Saint Anne and the Infant Saint Mary, oil, acrylic, and gold enamel on canvas.

Arizona Renaissance: Portraits

Whenever I painted, I felt like I was painting in someone else’s style, I couldn’t find my own. One day I had an epiphany – subtractive painting then build with thin layers. Subtractive painting is how it sounds; you cover the surface with a base color then with a rag, Q-tip or brush remove the highlights and midtones revealing the image. I started with small swatches of canvas to get a feel for the process then I began experimenting with monochromatic paintings – my red oxide phase. When I became more confident, I starting using color and I haven’t stopped since.

I’ve always been obsessed with Japanese art particularly the use of gold and woodblock prints. I began incorporating those inspirational elements from the beginning. Then being inspired by the relationship of kimono and obi and the juxtaposition of pattern and color I began to use that same concept for subject and background in my paintings.

Nick, oil and gold enamel on canvas

The Swimmer, oil and gold enamel on canvas

Andrea, oil and gold enamel on canvas

Erika, oil and gold enamel on canvas
Jason, oil and gold enamel on canvas
Zach, oil and acrylic on canvas
Sondra Radvanovsky, oil and cut paper on paper
Tom, oil and gold enamel on canvas

Figure and Form

I’ve always loved the human figure and studying lines, forms, and shadows so I did a series of monoprints exploring those elements by drawing with brush strokes.

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